On birds and the moon
By Clara Bush Vadala
Two Canada geese fly anterior to the moon, My car flies over the road. Time to pack your bags. We are going on a trip. It is not a mystery The sun will welcome us on the other side Of the mountain where the cabin is. Don’t worry We’ll all get to sleep in cedar bunkbeds soon. At the top of a ski lift, there are chipmunks Waiting to take peanuts from our hands, Even though the squirrels back home are hungry. My grandmother says is that a squirrel or a rat?! When I introduce her to the ferret. All these Small mammals, and still, the geese are what we follow. Maybe because they have the kind of view That spreads like the dome of the top of a crystal Ball. It seems they must be more intelligent To have to travel as far as they do, or maybe They are just more prey to the wind than we thought. Either way, the moon allows them passage Toward its interior, us, wingless and undeserving Along with them. When a bird flies toward the moon, Here is what happens: There are a finite number Of birds in the world, and they must be recycled. The moon is the mother egg. Once they are old And only capable of a last long flight, it takes them Back under its yolk, and next year, in the spring, Spits out small pieces into twigs and grasses primed For the meteors. These are protected by the birds still On earth, until the moon gives permission, by her absence Or her thin veil of light, by her presence as a crescent Or half of her behind a thickening cloud, to hatch.
When I was young and wild
By Clara Bush Vadala
Speaking of birds hatching, I’ve got another memory to tell. I guess this is confessional, in its own small way. The grackles I watch from behind the windshield of a car, sparkling in their parking lot iridescence, once lived inside a nest made up of my hair. At least, I imagine this is how, one spring evening, my mother returned to find us scooping the see-through bodies off the floor of the garage and into a box, heated some way I don’t remember, entangled in the fine wisps of blonde. This spring, we fed the baby birds until they fattened up with feathers, and let them fly. One came wrestling back to get me and found its newly scaled and capable feet stuck in my scalp. Apparently I was scared, but I only remember feeling the power of God touching us, the concrete slab suddenly becoming a river at whose pooling tributaries near the road we watched closely, with sticks, for the fish, the barn where a Pocahontas figurine was kept sprung up overnight, the place the bird, I don’t remember what kind, actually, whose mother knocked him out of his nest, became ours to bear to flighthood, and so, we did it. And I watched the movie where the girl teaches geese to fly with some homemade plane contraption, and they go on to be wild. Oh, to be so free. And the bird came back the next year, in the tree in the backyard, and you might ask how we knew which, and I might tell you, I’d left the pieces of hair cut off to make bangs in the branches like ornaments, and I’ll tell you what, if you checked for DNA in the nest it made, you might find those wisps, you might find, I might just be right.
Clara Bush Vadala
Clara Bush Vadala is a poet and veterinarian from Van Alstyne, Texas. Her work has appeared or is forthcoming in Iron Horse, Moss Puppy, and The Madrigal. Her chapbook, Book of Altars, is forthcoming from Belle Point Press, and her full-length poetry collection, Resembling a Wild Animal is forthcoming from ELJ Editions in 2024.
Twitter: @doctorVpoetry

Photo credit: Marcos Paulo Prado

