Bread & Butter
By Stephen Mead
Cooler nights, the morning's moister & our plants thaw more vividly, remembering that it's summer & that there is glory in their hues. I can pray on the names of every blade in this paradise. Salvia. Hydrangea. Impatience. I can place faith even on seeds whose blooms rise identified no longer. Does god pan this setting, our fenced-in yard of verdigris sills & muted rainbow slates aerial as an Eiffel view from the spiral stairs, or Florentine where the miniature David statue stands on his shrine of marble? When we take siestas here we are Pre-Raphaelite. When we wake arias start teeming from the hand-planted visions. Once, mole-blind, hungering, we fed on such hope of what a garden would mean. It made dreams edible, imbued nurturance enough through rented rooms or so prayers told us. Now, a tapestry, peppers, tomatoes turn as antennae on the air, seeking only light & water. We too, amid the sirens & squads on the other side of these ephemeral vines.
Stephen Mead
Stephen Mead is an Outsider multi-media artist and writer. Since the 1990s he’s been grateful to many editors for publishing his work in print zines and eventually online. Recently his work has appeared in Honest Ulsterman and Pink Disco. Currently he is resident artist/curator for The Chroma Museum, artistic renderings of LGBTQI historical figures, organizations and allies predominantly before Stonewall, The Chroma Museum – The Chroma Museum (weebly.com)
Photo credit: Tom Jur